CREATIVE MUSIC TECHNOLOGY

COURSE CODE: 46511

COURSE TYPE: OPTIONAL

ΕCTS: 5

SEMESTER: 7TH  | WINTER

COURSE LANGUAGE: ENGLISH

SYLLABUS

1. Fundamentals: introduction to the programming  environments for music and audio, basic waveforms
2. Envelops
3. Additive and subtractive synthesis
4. Ring, amplitude and frequency modulation
5. Sampling synthesis
6. Granulation of sampled sounds
7. Student work presentations I
8. Concatenative synthesis
9. Stochastic synthesis
10. Time delay techniques
11. Student work presentations II
12. Open topic
13. New interfaces for musical expression

ΒIBLIOGRAPHY

• Cipriani A. & Giri M. (2016) Electronic music and sound design, Vol. 1 & 2, Contemponet.

• Collins N. (2010) Introduction to computer music, Willey.

• Collins N., d’Escrivan J. eds. (2007), The Cambridge Companion to Electronic Music, Cambridge University Press.

• Farnell A. (2010) Designing sound, MIT Press.

• McLean A. & Dean R.T. (eds.) (2018) The Oxford handbook of algorithmic music, Oxford University Press.

• Roads, C. (1996), The Computer Music Tutorial, MIT Press.

• Roads, C. (2015), Composing Electronic Music: A New Aesthetic, Oxford University Press.

• Ruviaro, B. (2014), A Gentle Introduction to SuperCollider, Creative Commons.

• Wilson S., Cottle D., Collins N. (2011), The SuperCollider Book, MIT Press.

• Karamanlis, O. (2021), Sound Synthesis & Processing with SuperCollider, Fylatos Pub.