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SOUND DESIGN

COURSE CODE: 46503

COURSE TYPE: OPTIONAL

ΕCTS: 5

SEMESTER: 4TH  | SPRING

COURSE LANGUAGE: GREEK

 

SYLLABUS

  1. Digital Audio Workstation
  2. Microphones I | polar patterns , positions, functionality, mono
  3. Denoising
  4. Microphones II | stereo recording, XY, AB, MS, ORTF
  5. Microphones III | boom, lavalier, portable recorders
  6. Student work presentations in class I
  7. Foley
  8. Spectral balance
  9. Student work presentations in class II
  10. DSP in the frequency domain | FFT
  11. Granulation of sampled sounds
  12. Student work presentations in class III
  13. Algorithmic processes for sound design

 

ΒIBLIOGRAPHY

  • Bartlett & Bartlett (2009), Practical Recording Techniques, Focal Press.

  • Bregman, A. S. (2001), Auditory Scene Analysis: The Perceptual Organization of Sound, MIT Press.

  • Collins K, (2020), Studying Sound: A Theory and Practice of Sound Design, MIT Press.

  • Gervais, R. (2006), Home Recording Studio: Build It Like the Pros, Thomson Course Technology

  • Izhaki, R. (2008) Mixing audio: concepts, practices and tools, Focal, London.

  • Katz, B. (2007) Mastering Audio: the art and the science, Focal, London.

  • Owsinski, B. (1999) The Mixing Engineer’s Handbook, artistpro.

  • Roads, C. (1996), The Computer Music Tutorial, MIT Press.

  • Senior M. (2019), Mixing Secrets for the Small Studio, Routledge.

  • Viers, R. (2008), The Sound Effects Bible: How to Create and Record Hollywood Style Sound Effects,

    Michael Wiese Productions.

  • Yewdall D.L (2013) Practical Art of Motion Picture Sound, 4th Edition, Routledge.
     

STUDIES: